Anyone can take a good picture when the right circumstances happen.  Or, if they push the shutter button a couple of dozen times in a row, at least one shot is bound to turn out good. This, however, does not make one a professional photographer.  Having an expensive Digital SLR and expensive lenses does not make one a professional photographer.  Having a lot of gear does not make one a professional photographer.

A professional photographer can make the right circumstances happen when they need them to.  A professional photographer knows when to press the shutter button to get the great shots.  A professional photographer will have the right gear for the job not just a bag full of cool gadgets.
When you are looking to hire a professional photographer, you should ask them about their experience, not their education.  A degree in photography means about as much as a degree in basket weaving.  There are many successful and talented photographers who never took a photography class in their life.  Many photographers have degrees that have nothing to do with photography.  Photography is as much about art as it is about science, a class can teach you about all of the science of photography, but it can’t teach you to be an artist, to be creative.

When you interview a photographer that you want to hire for a potential job, they should be asking you as many questions as you are asking them. You should be asking them about their experience and what they are going to do to produce the results you want. They should be asking you about what you want and for details about it. A professional photographer should be able to offer ideas and insights on how to achieve the results you are looking for. They should also be able to offer alternative methods to do things that are impractical or overly expensive.

The things you really should not ask the photographer you are interested in hiring, and why shouldn’t you ask about them? You shouldn’t ask, because you shouldn’t care, these are all thing that will be different from photographer to photographer. You shouldn’t ask about what kind of camera they have. You shouldn’t ask them what brand of lights they use. You shouldn’t ask them about their work flow, how they process their images or what software suite they are using. What you should care about are the results they can produce not the gear they use to do it.

When you are interviewing the photographer for a potential job these are the kinds of questions that you should be asking. Do you have general liability insurance, can you provide copies of the certificate of insurance? If a critical piece of equipment fails during the shoot do you have a backup equipment available? Do you have contingency plan if something happens to you and you can’t make it (i.e. get sick), what is it? These are the questions where you can separate the weekend warriors and hobbyist from the professionals. The answer to all of these questions should be yes, if they aren’t  then you should consider moving on to the next photographer on the list.

General liability insurance is necessary in case there is an accident (i.e. someone trips on a power cord, falls and breaks an arm) or some kind of property damage (i.e. a light stand falls and breaks a glass coffee table, or dents a hardwood floor) during the shoot. Most likely your insurance is not going to cover it, and if the photographer doesn’t have liability insurance its unlikely that they have thousands of dollars lying around that will cover the cost or medical bills if someone was injured or the cost of repairs to property.

The contingency plan is designed to cover thing that come up several hours or days before the shoot not minutes or an hour before. The contingency plan is usually for situation where they get the flu, have a broken leg, or have some kind of family emergency and can’t make it to the shoot. Most photographers are not going to have a plan to cover being injured in a car accident on the way to the shoot, or to cover if they should suddenly die in a freak accident.

Back up equipment is also important, and professional photographers will have several different pieces of gear capable of doing the same or similar jobs. They should have at least two cameras and lenses, this way if one breaks or malfunctions they can switch to another with almost no time lost from shooting. Most professional photographers have will have at least two of every piece of gear that is critical to a shoot. They may own it, or they may rent it, but if the shoot can’t be completed, and completed properly without it they will have more than one of it.

There are many other things you should consider when you are looking for a photographer such as style, personality, and cost, but those are a matter of personal tastes that I can’t give you any advice on. This is meant to help guide you through the process after you have found a photographer who’s style personality and price you are happy with. Hiring a photographer is no different from hiring any other professional to provide service to you, you have to ask the right questions to be sure you’re going to get the service and product you are expecting and be sure you know what to expect from the photographer.

New project in the works!!

Posted: March 23, 2011 in General Info

I have a new project in the works.  Based on the #BikeNYC project of Dmity Gudkov in New York, a handful of local photog’s and cyclist are starting #CycleCincy.  The idea behind the project is to promote urban living and transportation.  You can find out more about it on cyclecincy.com as well as over at the Over the Rhine blog, and by searching the twitter hash tag #CycleCincy.  As we get further along the project I’ll post more updates and request for cyclist looking for portraits.  If your interested in getting involved drop a comment here or over at the OTR blog.

Creating the “you can walk into this picture” feel is mostly about technique, a nice DSLR and some nice lenses help but aren’t necessary. 95% of creating the look that you can walk into a photo is creating depth; you have to create layers in the shot. You have to have fore, middle, and background layers that are distinct. You create the layers with light and the elements in each layer.

This don’t mean you have to set up a bunch of lights, you can work with the available light.  The easiest way to do it is to use light and shadow or sun and shade.  Use the shadows and highlights to create texture in the scene, the texture gives the appearance of separation between objects.  If there is no texture, no apparent separation of the objects in the scene it will look flat.

Another way to create depth is with perspective, think of rail road tracks that appear to converge or how a distant mountain only looks as tall as a tree.  Compose you shots so that the elements within the frame create the same kind of effect.  Also use your depth of field, the human eye can not focus over a great distance, it can however refocus much faster than any camera.  As your eyes scan a scene in the real world they are constantly adjusting making every thing seem to be in focus.  Pick an object in the middle of the room to look at, and without moving your eye notice that everything around that object starts to more out of focus the farther from the center you get.  Focus on your subject and let the focus in the rest of the scene trail off as you move farther away from your subject.

There are a lot of different ways to create depth in your photos and these are just a couple.  The biggest thing is practice, practice and more practice.

Here are a couple of example of the techniques I mentioned above.

If you do a Google search you can find a lot of in-depth how-to’s on shooting fire works so I’m just going to give you a quick list of down and dirty tips.

  1. Get there early.  If the show starts and 9:30, don’t think you can show up at 9 and get a good spot to shoot from.  You want to get there at least 90 minutes before the show starts so you have time to park and go scout out a good shooting location.
  2. Shoot from a tripod with a remote shutter release or self timer if you don’t have a remote.  It’s dark and you’re going to be taking long exposures at a small aperture, you’re going to get a whole lot of fuzzy images if you try to handhold the camera.
  3. Use a small aperture and a long slow shutter speed.  f/8 at 3 seconds is a good starting point, then adjust to taste.  After you went to the trouble of setting up the tripod the last thing you want is out of focus pictures of fireworks because you shot at f/2.8 and go a shallow depth of field.  You also want to get as much of the “explosion” as you can so shooting at 1/1000th isn’t going to work.
  4. Choose your background.  After you have gone to all of the trouble to do the stuff above it would be a shame to have a bunch of clutter and unwanted distractions in the background of your shots.  They don’t all have to be against a black night sky, but just be aware of what is in the frame that you might not want to see in the final product.

And the most important tip, have fun and enjoy the show.

Thanks, stay tuned for more.

New look for the blog

Posted: June 30, 2010 in General Info

As you can see, unless you use an RSS feed, the look of the blog has changed.   I also finally got around to updating the links section with all of the blogs I have in my Google Reader.  There’s a lot of good info in them there blogs, so check’em out.  If you have any thought on the new look or know of some other good blogs let me know in the comments.

Also with the 4th of July coming up there will be lots of fireworks displays which always make for good photo op’s.  Here’s a list of local fireworks displays.

If anyone is looking for a photo walk, there is “Scott Kelby’s Third Annual Worldwide Photo Walk” on July 24th.  There are two walks scheduled downtown, one starting at Sawyer Point and one starting at Fountain Square.  I have to work that weekend so I can’t make it other wise I would go, both walk still have plenty of room left for people to sign-up.

There is also one up just north of Dayton, 4 around Columbus and 2 near Cleveland.

You connect you laptop to the TV to watch Chase Jarvis interview Zach Arias live (both great photographers by the way).